Waging War

故兵聞拙速,未睹巧之久也。
If you exposed a war too long, even you are ingenious, you will make a mistake. leave a little to your opponent.

力屈,財襌(殫),中原內需於家,百姓之費,十去其七
Waging a war, you need to forage on your enemy.

故殺敵者, 怒也;取敵之利者, 貨也 Kill your enemy from the power generated by your anger, get benefits from your foe.

WORKING IN THE FLOW STATE

Being into the state of flow is beneficial to your mental and physical health.

USING MORE OF YOUR BRAIN
Using your left side of your brain is important, you need to shift into a state of flow. You need to stop your linear thought.

IT’S ONLY YOUR FIRST DRAFT
Creativity is important, how to get into it? You need to suspend criticism and linear thought and get into the state of flow.

LEARNING TO FOCUS
Here is an exercise of focus just needs two minutes, it is intentionally created in two minutes then you can exercise at any time anywhere.

FOCUSING EXERCISE
Sitting upright in your chair and practice it. Close your eyes, be relaxed, focus on your breath. Letting go of the past. Letting go of the future. Centering in the present. Counting up 1 to three. 1: from not knowing to know how to start. 2: more relaxed alert, use the superior wisdom of the subconscious mind. 3: my eyes open, eager to work. If you are fear of outside dangers, you can use it as a tool to … Read all/全文

Curator and exhibition

Curator 是一个专有名称,曾经被作为“博物馆馆长”之意。

做一个策展人要具备资金筹措能力。

故宫的展览负责人以前是一个机构,以前很稳定。

从展览体制上日本的博物馆和西方没有区别,学艺员的背景是艺术史和博物馆学。 近20年当代形态的艺术开始进入博物馆。 以现当代艺术命名的博物馆开始出现。(美国惠特尼博物馆)

从策展人到独立策展人体现能力的提升可以把各种资源有效的进行组合。
他不涉及到卖作品,画廊和策展人没关系。

如果要想做一个和它相关的展览是不是具备可能性,很多当代艺术的展览模式可能就是需要展览空间。

他们能敏感的发现社会当中的一个动向。泽曼先生被当成最早的独立策展人。
策展人在很大程度上是思维的先知者。

What Kills Me Makes Others Stronger

Antifragility by layers

Some parts on the inside of a system may be required to be fragile in order to make the system antifragile as a result. All restaurants are combating with each other in order to form the antifragility of the whole group. If a single restaurant is too robust when the crisis happens, all reasons are boil down to the fragile of this restaurant.

Evolution and Unpredictability

Nature (and nature-like systems) likes diversity between organisms rather than diversity within an immortal organism…
Evolutions benefits from the randomness but the unit died from the harms.
So I need to build some new systems different than the habit system, such as an energy managing system or log system.

Organisms Are Populations and Populations Are Organisms

Organisms are a group of units. Some units are killed some units survived and thrived. They have layers.

THANK YOU, ERRORS

So this is why you need to make errors, You need some errors to make… Read all/全文

THE ODES OF ZHOU AND THE SOUTH

葛覃  GE TAN
刈yì 濩huò 絺xī 綌yì 斁yì 薄污wù我私
Why does she want to go back to her home? Maybe her life is very hard, though she was hardworking, she didn’t get any respects. In this chapter, I think this woman was from a high ranking family, not like the propaganda from the government. Even though she is elite, but she also gets distresses.

卷耳    JUAN ER
寘zhì彼周行háng 陟彼崔嵬wéi 我馬虺huī隤tuí 我姑酌彼兕sì觥gōng 陟彼砠jū矣 我馬瘏tú矣 我僕痡fū矣
From 金罍, 兕觥, 僕, We can recognize she was from a rich family, the luxurious thing can not solve the problems about emotion, it’s also hard to hold a relationship.

樛木  JIU MU
南有樛jiū木 葛gé藟lei3纍之 福履綏suí之
It’s a song of blessing, why Confucius choose this song? In ancient times, women belonged to a big family, everything is hierarchical, it’s a dream map depicting by Rujia, women will get happiness from this family.

螽斯    ZHONG SI
螽zhōng斯羽 振振zhēn兮 繩繩min3兮 揖jí(集)揖兮
We can feel the praise of fruitful descendants.

桃夭   TAORead all/全文

第八讲 博物馆与传统艺术

艺术如何成为艺术?
我们如何认识艺术?谁让它成为艺术的?
奇马布埃的画之前不是艺术。

杜尚是离经叛道的人。

罗马城本身就是博物馆。

系统的收藏开始了,温克尔曼的《古代艺术史》

近代博物馆大发展,让你开始思考。
启蒙运动就这样开始了

中国对艺术的认知比较少。

人类的文明载体被放到了一起。

重新的角度切入博物馆 作业

第九讲 博物馆与当代艺术

一、博物馆对当代艺术史的“促生”

当代艺术史的缔造看起来像一场庞大而精细的谋略。

博物馆策划构成了缔造艺术史的重要手段,它不仅提供欣赏的空间,还提供趣味导向审美共识

二、博物馆展览策划的艺术批评

在传统思维保守的旧博物馆时代,展览并无过多策划,展品之间保持沉默与人入胜的因果关系,更像一个公开的库房。
策划是随着博物馆的近代化进程而逐渐加强与深化的。

问题是:策划的原则是什么?它是如何影响人的?

具体与博物馆相配套的管制手法,就是关于艺术史的缔造及展示。

福柯认为社会能量只会通过两个途径加诸于人,即权力与知识。前者如监狱后者如博物馆,后者不会运用暴力等强制手

那么,这种带有主观干预的认知过程符合博物馆教育所应当具有的自由精神和民主态度吗?

同理,一件客观而恒常存在的艺术品,会被主观的

博物馆展览触及了艺术史的编撰问题,策展者或收藏家的个人,愿望往往成为左右艺术发展的因素,甚至构成了艺术史发展本身。

在展览策划中,策划者必然有自已的观念,而且会将自己的意见尽可能地灌输给观众,这是一种知识发布原理。

三、博物馆与当代艺术展览

博物馆进入现代发展以后首先遇到的一个挑战就是对传统的策展理念与方式的质疑与矫正。

“非历史”展览强调各种完全不同质的展品——例如,罗丹的雕塑,博伊斯的现成品

Alone

I’m so alone, nothing feels like home.
I’m so alone, try to find my way back home to you.

偶然发现了这样一首歌,发现这是我一直以来的状态啊。
其实没有人会真正理解你现在的处境。
但是,找到同样处境的人,我们可以一起戴上面具狂欢。

中国语法的崩溃与交互凝视中的自我身份建构–中西艺术交汇中的审美经验或知识形成

事实上,与他者的遭遇乃是自我认识的首要条件,以理论术语来表达,就是让对他者而言是前理解的(什么句子)、潜意识的、含混不清的东西具体化、对象化。–齐格蒙•鲍曼

Tainted Blood

In this chapter, the author introduced the families of Mi-ran and Jun-sang, Mi-ran’s father is a warrior from South Korea and he was captive by North army, he was forced to be a miner in Chojin (that town in northeastern), but he never told this to his daughters and son, until this tainted blood effects their life.

Jun-sang’s family is from Japan, they are wealthy as Japanese-Korean. when Korea divided, some Japanese-Korean thought the North government is better than South as a group battled with Japanese, so they went to North, but after the regime formed, they noticed everything changed, Kim Il-sung, never believe them, they were purged because God Kim didn’t allow them to be wealthier than common North Korea people and to connect their relatives in Japan. They couldn’t go back to Japan forever.