THE PROCRASTINATOR IN YOUR LIFE

MANAGING PEOPLE WHO PROCRASTINATE

Due to procrastination, employees lose their productivities and cause companies billions of dollars lost.

COMMITMENT VS. COMPLIANCE

As a manager, you need to use inviting commitment rather than demands for compliance.

FOCUSING ON STARTING VS. FINISHING

Effective managers always have the ability to communicate with their employees. Focusing on starting is much more effective for a perfectionist.

GETTING RESULTS OR GIVING CRITICISM

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FINE-TUNING YOUR PROGRESS

PLANNED SETBACKS
You can try to plan procrastination when you meet a big project, and record your self-statement, these statements may be your old pattern.

RESILIENCE AND HARDINESS

Resilience
Resilience is very important when you fail, every time you fail you can bounce back from it and know your performance isn’t your self-worth, but your performance is connected to your perseverance. You don’t need to be responsible for what had happened to you, but you need… Read all/全文

Calm down

可能我对这次的疫情过于恐慌了。

这几天出门,街上基本没有什么人,遇见的人也是戴上口罩把自己捂严实的。自己去过的最热闹的地方应该就是超市了。户外只能用一个词来形容—-冷清,大概其他地方都是这个情况。我会离别人很远,生怕遇上瘟神被感染。

网上流言四起,遣责不戴口罩的长辈。很多人不相信官方的确诊数和死亡率,各种数字都有,人心惶惶。

中国历史上经历了多次瘟疫。随着社会的进步,人类虽然已经克服了鼠疫、天花等恐怖的传染病,依然有着对“瘟疫流行,十室九空”、疾病、死亡的恐惧。年轻人没有经历过传染病的流行,或着对上次的SARS只有着模糊的印象,那么恐惧和心理冲击会更大一些。

可是仔细想想,这是否真的会是一次像黑死病一样的灾难,可能并不是:

上一次给人类造成重大灾难的传染病并不是SARS,而是1918年的流感大流行,仅一种流感就造成了几千万人的死亡,平均死亡率在2.5%-5%,同时对年轻人的危害更大。相比之下,SARS有15%的死亡率,只有几千人受到感染。这次的肺炎虽然传染性很强,但目前的情况来看严重程度不如SARS,对免疫力强的人危害并不大。… Read all/全文

Waging War

故兵聞拙速,未睹巧之久也。
If you exposed a war too long, even you are ingenious, you will make a mistake. leave a little to your opponent.

力屈,財襌(殫),中原內需於家,百姓之費,十去其七
Waging a war, you need to forage on your enemy.

故殺敵者, 怒也;取敵之利者, 貨也 Kill your enemy from the power generated by your anger, get benefits from your foe.

WORKING IN THE FLOW STATE

Being into the state of flow is beneficial to your mental and physical health.

USING MORE OF YOUR BRAIN
Using your left side of your brain is important, you need to shift into a state of flow. You need to stop your linear thought.

IT’S ONLY YOUR FIRST DRAFT
Creativity is important, how to get into it? You need to suspend criticism and linear thought and get into the state of flow.

LEARNING TO FOCUS
Here is an exercise of focus just needs two minutes, it is intentionally created in two minutes… Read all/全文

Curator and exhibition

Curator 是一个专有名称,曾经被作为“博物馆馆长”之意。

做一个策展人要具备资金筹措能力。

故宫的展览负责人以前是一个机构,以前很稳定。

从展览体制上日本的博物馆和西方没有区别,学艺员的背景是艺术史和博物馆学。 近20年当代形态的艺术开始进入博物馆。 以现当代艺术命名的博物馆开始出现。(美国惠特尼博物馆)

从策展人到独立策展人体现能力的提升可以把各种资源有效的进行组合。
他不涉及到卖作品,画廊和策展人没关系。

如果要想做一个和它相关的展览是不是具备可能性,很多当代艺术的展览模式可能就是需要展览空间。

他们能敏感的发现社会当中的一个动向。泽曼先生被当成最早的独立策展人。
策展人在很大程度上是思维的先知者。

What Kills Me Makes Others Stronger

Antifragility by layers

Some parts on the inside of a system may be required to be fragile in order to make the system antifragile as a result. All restaurants are combating with each other in order to form the antifragility of the whole group. If a single restaurant is too robust when the crisis happens, all reasons are boil down to the fragile of this restaurant.

Evolution and Unpredictability

Nature (and nature-like systems) likes diversity between organisms rather than diversityRead all/全文

THE ODES OF ZHOU AND THE SOUTH

葛覃  GE TAN
刈yì 濩huò 絺xī 綌yì 斁yì 薄污wù我私
Why does she want to go back to her home? Maybe her life is very hard, though she was hardworking, she didn’t get any respects. In this chapter, I think this woman was from a high ranking family, not like the propaganda from the government. Even though she is elite, but she also gets distresses.

卷耳    JUAN ER
寘zhì彼周行háng 陟彼崔嵬wéi 我馬虺huī隤tuí 我姑酌彼兕sì觥gōng 陟彼砠jū矣 我馬瘏tú矣 我僕痡fū矣
From 金罍, 兕觥, 僕, We can recognize she was from a rich family, the … Read all/全文

第八讲 博物馆与传统艺术

艺术如何成为艺术?
我们如何认识艺术?谁让它成为艺术的?
奇马布埃的画之前不是艺术。

杜尚是离经叛道的人。

罗马城本身就是博物馆。

系统的收藏开始了,温克尔曼的《古代艺术史》

近代博物馆大发展,让你开始思考。
启蒙运动就这样开始了

中国对艺术的认知比较少。

人类的文明载体被放到了一起。

重新的角度切入博物馆 作业

第九讲 博物馆与当代艺术

一、博物馆对当代艺术史的“促生”

当代艺术史的缔造看起来像一场庞大而精细的谋略。

博物馆策划构成了缔造艺术史的重要手段,它不仅提供欣赏的空间,还提供趣味导向审美共识

二、博物馆展览策划的艺术批评

在传统思维保守的旧博物馆时代,展览并无过多策划,展品之间保持沉默与人入胜的因果关系,更像一个公开的库房。
策划是随着博物馆的近代化进程而逐渐加强与深化的。

问题是:策划的原则是什么?它是如何影响人的?

具体与博物馆相配套的管制手法,就是关于艺术史的缔造及展示。

福柯认为社会能量只会通过两个途径加诸于人,即权力与知识。前者如监狱后者如博物馆,后者不会运用暴力等强制手

那么,这种带有主观干预的认知过程符合博物馆教育所应当具有的自由精神和民主态度吗?

同理,一件客观而恒常存在的艺术品,会被主观的

博物馆展览触及了艺术史的编撰问题,策展者或收藏家的个人,愿望往往成为左右艺术发展的因素,甚至构成了艺术史发展本身。

在展览策划中,策划者必然有自已的观念,而且会将自己的意见尽可能地灌输给观众,这是一种知识发布原理。… Read all/全文